Summary

Portrait of Max Pemberton Max Pemberton Signors of the Night — The Haunted Gondola (1899)

She cared nothing for the people's favour or the rewards of which they spoke. She loved a man to whom she had spoken but twice in her life. When the sun set she knew that her lover would have ceased to live.
"They will punish the innocent with the guilty," she thought. "There will be none to believe it. No one will listen to Nina, the dancing-girl."
So she reasoned as the day broke, and all the world of Venice flocked to the great Piazza. Terror dominated the city no more. Death no longer stalked the dark places. Fathers would not weep for sons to-morrow, nor mistresses for their lovers.
Source: Wikisource

Portrait of Max Pemberton Max Pemberton Signors of the Night — The Haunted Gondola (1899)

After a little while the laughter ceased, and a voice exclaimed:
"If it lie between the priest and Francesco, there will be a monk the less at dawn."
Nina heard the voice, and understood it. Her wits were ever quick; and out of the story of the night they were shaping the truth for her. The phantom gondola—those that rowed it were but men after all, then! The banished enemies of Venice must be its masters, employing it to terrify the people, and to cloak their own crimes. There was no other mystery but the mystery of vengeance awakened.
Source: Wikisource

Portrait of Max Pemberton Max Pemberton Signors of the Night — The Haunted Gondola (1899)

The people heard the words and came anew to the door of the booth. Above the clamour of their voices, the music of bells and the blare of trumpets prevailed. No procession which Carnival had given to Venice surpassed that procession to the palace. Women wept; children cast flowers in the path the Guards must tread. But Nina saw neither the flowers nor the people. The face -of the man she loved was ever before her.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature