Francis Hopkinson Smith

Francis Hopkinson Smith

Summary

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith The Parthenon By Way Of Papendrecht

The gondola is as much a part of Venice as its sunsets, pigeons, and palaces. Let them by special license keep the Tragfaetti intact, with their shuttles of gondolas crossing bade and forth—then, perhaps, the catastrophe may be deferred for a few decades.
As it was in Dort and Papendrecht so it is in Venice. Except these beastly, vile-smelling boats there is nothing new, thank God. Everything else is faded, weather-worn, and old, everything filled with sensuous beauty—sky, earth, lagoon, garden wall, murmuring ripples—the same wonderful Venice that thrills its lovers the world over.
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith The Parthenon By Way Of Papendrecht

I yearn for the white, blinding light and breathless lagoons, and all that makes Venice the Queen City of the World.
Luigi meets me inside the station. It takes a soldo to get in, and Luigi has but few of them, but he is always there. His gondola is moored to the landing steps outside—a black swan of a boat, all morocco cushions and silk fringes; the product of a thousand years of tinkering by the most fastidious and luxurious people of ancient or modern times, and still to-day the most comfortable conveyance known to man.'
Hurry up, you who have never known a gondola or a Luigi!
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith The Parthenon By Way Of Papendrecht

Then my white umbrella would loom up as large as a circus tent, the usual crowd surging about its doors. As you cannot see London for the people, so you cannot see the river for boats on these days—all sorts of boats—wherries, tubs, launches, racing crafts, shells, punts—everything that can be poled, pulled, or wobbled, and in each one the invariable combination—a man, a girl, and a dog—a dog, a girl, and a man.
Source: Gutenberg

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