Summary

Portrait of Rafael Sabatini Rafael Sabatini The Justice of the Duke (collection… (1915)

Across the hall, Benvenuto's guide opened a door, and conducted him into a spacious courtyard within the quadrangular precincts of the palace. A thick soft carpet of snow lay on the ground, and from the lanthorn swinging in the hand of his guide a yellow wheel of light fell on the whiteness, and Benvenuto observed the tracks of many steps that had preceded him that way. They reached another door, passed through another hall, chill and gloomy as a vault, and so on to yet a third door in which a wicket opened to give them passage into a garden.
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Justice of the Duke (collection… (1915)

A duke who wrestled with blacksmiths in the courtyard of his own castle! Faugh! Was that a duke to be feared?
Now that he had seen this pope's bastard, Benvenuto felt himself every inch his equal. What false attributes—he reflected—are bestowed by man's imaginings upon the great! Cesare Borgia was a man like any other—and he wrestled with blacksmiths! He should pay Benvenuto handsomely for the information Benvenuto brought him. No longer would Benvenuto be afraid to demand full value for his wares.
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Justice of the Duke (collection… (1915)

They could not dream that the whole thing was chance—that Benvenuto Gismondi was but a thief who had murdered this Messer Crespi for the sake of plunder. They conceive Crespi to have been killed, stripped and replaced in their council, all by my design. They conclude that I have as many eyes as Argus, and the conspiracy is as frost-bitten as your nose, Agabito. They are paralysed with fear of me and the ubiquity of my spies. No man of those plotters counts himself safe, and they have scattered to their several homes, all plans abandoned since they fear the worst.
Source: Wikisource

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