Rafael Sabatini

Rafael Sabatini

Summary

Portrait of Rafael Sabatini Rafael Sabatini The Word of Borgia (1914)

It was the more remarkable in that Sinibaldi’s princess—a stately, blonde woman, whose stomacher was a scintillating cuirass of gems—was seated on Cesare’s right hand, between the sober black of the President of the Council and the scarlet of the handsome Cardinal-legate.
The young Duke lounged in his great chair, a tall, supple gentleman of some five-and-twenty years, resplendent in a close-fitting doublet of cloth-of-gold that was edged with miniver. His pale, beautiful face was thoughtful, and his tapering, jewelled fingers strayed ever and anon to the point of his tawny beard.
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Word of Borgia (1914)

The door burst open and Graziani’s men swarmed in, all ten of them, so furiously that they bore the prince backwards, and all but trampled on him. A grizzled antient, leading them, checked in mid-chamber and looked round, bewildered until he espied his fallen captain huddled at the wall’s foot. He roared his anger at the sight, what time his men closed about the saturnine Venetian.
With as great dignity as was possible to a man so circumstanced, Sinibaldi sought to hold them off. “You touch me at your peril,” he warned them. “I am Prince Sinibaldi, the Envoy of Venice.”
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Word of Borgia (1914)

At a sign from Cesare the guards fell away from the Venetian, whilst Barbo paused to remove, at last, the prisoner’s bonds.
Sinibaldi, the very incarnation now of scornful dignity, held his head high, and boldly fixed his eyes on Cesare’s impassive face. Then, without being bidden, he burst into angry speech. “Is it by your Potency’s commands that these indignities are put upon me—upon the sacred person of an envoy?” he cried. “The Most Serene, whose mouthpiece I have the honour to be, whose representative I am, is not one lightly to brook such treatment.”
Source: Wikisource

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