Ray Cummings

Ray Cummings

Miracle (1942)

Summary

Portrait of Ray Cummings Ray Cummings,  Miracle (1942)

“ Another flaming arrow came whizzing into the mouth of the cave. Peter rushed for it, stamped it out. The woods beyond the cave-mouth now were lighted with torch glare, and echoing with the warwhoops of the Indians, emboldened because no fowling pieces of the trapped palefaces were exploding to hurl lead at them. Outside the cave, arrows were continuously striking; the brush was on fire, with a red-yellow glare that came in here and painted Alan and his two confused, terrified companions with its lurid sheen. ”
Source: Gutenberg

Portrait of Ray Cummings Ray Cummings,  Miracle (1942)

“ The hum of the throbbing electroidal current was gone. But there was still a pulsing note in the air—the throbbing voice of the deep forest through which the river was shimmering, pallid in the moonlight.
Alan staggered to his feet, steadied himself. A shaft of moonlight was on him; and abruptly in the dimness of the cave he heard a sound. A man's muttered, astonished exclamation blended with the startled high gasp of a girl.
”
Source: Gutenberg

Portrait of Ray Cummings Ray Cummings,  Miracle (1942)

“ Alan switched off the current. Night was here, deep and silent, enshrouding the forest. No warwhoops; no glare of flaming arrows and burning brush. That had been last night. From the empty cave Alan walked slowly out into the woods. A northward vista of the broad river for a moment was visible. A little blob was out there in the river—an English frigate awaiting the outcome of the parley of Nichols, emissary of the Duke of York, with Governor Stuyvesant. ”
Source: Gutenberg

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