Raymond S. Spears

Raymond S. Spears

Summary

Portrait of Raymond S. Spears Raymond S. Spears A Fifteen-Cent Meal (1925)

Now in the mountain cañon Libra Cruvan had expiated his hunger and his thirst, his recklessness and his fifteen cents, his seven months jubilee in Los Angeles and Tia Juana. He stood looking at the road his work had built, more than any other man's. The cut-bank was his contribution to automobile tourists. They would ascend it, stop at the summit and stare at the sign, exclaiming to think that they had actually climbed more than two and a half miles above the level of the sea.
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears A Fifteen-Cent Meal (1925)

Far behind him echoed for the last time the reverberations of that first banging and slamming of ringing metal which celebrated his conversion from Libra Cruvan into No. 11-408. He whispered his name, Libra Cruvan, a personal possession again.
He was alone. He was responsible for himself. No honor code, no state criminal statutes, no sheriff or detective agency or anybody was his boss now, except himself. He had nothing else to think about but the fifteen cents, fifteen cents, two nickels and five pennies which now was his sole incentive.
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears A Fifteen-Cent Meal (1925)

A burly, white-aproned, hard-faced man gave a look around as he stood with his big, stubby-fingered hands on the counter. He sniffed the aroma of coffee ready and the stove hot. Then he went to the front door, unlocked it and unhooked the copper screen door beyond. He backed away as his eyes turned to one side, toward the floor. High hopes were in this enterprise. Libra Cruvan had not always realized his most modest anticipations. Now he wondered with sinking heart.
But the next instant a cowboy drifted around the corner, came in and ordered a cup of coffee with a piece of apple pie.
Source: Wikisource

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