Raymond S. Spears

Raymond S. Spears

Summary

Portrait of Raymond S. Spears Raymond S. Spears The Way of the Mississippi — 9… (1922)

Never in his life had Mad Tom had so amazing and relieving a reversal of ideas. Dona Voane had come all clear and honorable. She was shut of the motor boat up-the-banker and of that picture-making, harmless kid. He took the photographer's word, laughed, and both boats soon swung away down the river full tilt.
"All I ask now is meetin' Dona face to face, fair an' square, down some lonesome bend!" Mad Tom laughed. "Hi-i! I bet shell marry me plumb grateful—"
It was time to celebrate. He knew now that old Mississip' was meaning right by him. What more would a man ask?
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears The Way of the Mississippi — 9… (1922)

Courage walks with justified pride on a broad highway along the double barriers of hidden, skulking cravens, and each coward knows the confidence is with reason, warranted by the difference between a good man and a mean scoundrel.
Mad Tom feared the outcome, yet he pursued his intention. The pirates ran down the bank, slicked their way into Old River Mouth in a night mist, and, like cats, took their landings, separated by time and space, that chance observers might not know they had any interests in common.
Source: Wikisource

Portrait of Raymond S. Spears Raymond S. Spears The Way of the Mississippi — 9… (1922)

Dona had tripped past, plowing right along down with an outboard motor over the stern of the Mendova boat. The Jungle was two days behind her, and a night ahead of Mad Tom, who was dazed by the fact of the outboard motor on the shanty boat. She could beat the current in that well-shaped craft by three to five miles an hour. The Jungle was a swifter craft by far than his own launch. If the sports went night and day he was hopelessly lost astern, but knowing sports, he suspected they wouldn't run nights, being afraid of the dark in that river of questionable shadows.
Source: Wikisource

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