Reginald Stuart Poole, Herbert Appold Grueber and George Francis Hill

Summary

Reginald Stuart Poole, Herbert Appold Grueber and George Francis Hill 1911 Encyclopædia Britannica, Volume 19… (1911)

The art of sculpture, of which coin-engraving is the offspring, receives the greatest illustration from numismatics. Not only is the memory of lost statues preserved to us in the designs of ancient coins, but those of Greece afford admirable examples of that skill by which her sculptors attained their great Art.
Source: Wikisource

Reginald Stuart Poole, Herbert Appold Grueber and George Francis Hill 1911 Encyclopædia Britannica, Volume 19… (1911)

The excellence of the designs of very many Greek coins struck during the period of the best art is indeed so great that, were it not for their smallness, they would form the finest series of art-studies in the world. The Roman coins, though at no time to be compared to the purest Greek, yet represent not unworthily the Graeco-Roman art of the empire.
Source: Wikisource

Reginald Stuart Poole, Herbert Appold Grueber and George Francis Hill 1911 Encyclopædia Britannica, Volume 19… (1911)

The Italian medals of the Renaissance are scarcely less useful as records of the progress and characteristics of art, and, placed by the side of the Greek and Roman coins, complete the most remarkable comparative series of monuments illustrating the history of the great schools of art that can be brought together. Ancient coins throw some light upon the architecture as well as upon the sculpture of the nations by which they were struck. Under the empire, the Roman coins issued at the city very frequently bear representations of important edifices.
Source: Wikisource

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