Reginald Wright Kauffman

Reginald Wright Kauffman

Summary

Portrait of Reginald Wright Kauffman Reginald Wright Kauffman Money to Burn — VI. In the Dark (1924)

Clammy and slimy and heavy it fell and, circling canopy and hammock, the thick coils of the snake wrapped Dan around and squeezed.
A shriek rang out. Not his own; he saw, in a green streak of moonlight, the beautiful face of the girl distorted by terror. Dan had no chance to cry; he was struggling with all his imprisoned strength at the horror that encircled him.
“Coming!”
That was Ramon's voice. The huge man flung himself upon the monster. The thing's flat head darted up and gaped at him. With an exultant laugh, Villeta ripped that head from its bloody body.
Source: Wikisource

Portrait of Reginald Wright Kauffman Reginald Wright Kauffman Money to Burn — VI. In the Dark (1924)

Don Ramon proved a mighty trencherman and laughed through the meal, commending its cook as if nothing but kindness and respect had ever passed between them. Dan decided he was puzzled simply because he was in the presence of customs entirely new to his thoroughly North American mind.
“No bread,” Don Ramon smiled to Dan. “We prefer millet in Domingo. But see these yams. You do not have green plantain in the United States, nor yet cassava roots.” He raised his eyes ecstatically. “Think of Christmas dinner without cassava pudding! And our coffee—your people possess no such coffee as ours.”
Source: Wikisource

Portrait of Reginald Wright Kauffman Reginald Wright Kauffman Money to Burn — VI. In the Dark (1924)

La Vega was gay with farmers and their families from the uplands, men, women and children, creoles and mulattoes, in blue denim, silk sashes and brilliant bodices, high sombreros and crimson turbans. Any party leaving the town was a party after their own hearts; the elders waved brown palms, the youngsters toddled up and offered each a cheek for kissing. Dan saw the señorita's lithe shoulders heave, saw her bend to pat the curly head of a laughing boy.
Source: Wikisource

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