Rhoda Broughton

Rhoda Broughton

Summary

Portrait of Rhoda Broughton Rhoda Broughton A waif's progress (1905)

At this query a horrifying vision passed before Miss Ransome’s eyes, of Flora, champagne-headed, low-necked, whitened and sealing-waxed, sweeping into Felicity’s drawing-room and falling on her own neck under that lady’s nose.
“Oh, nobody very interesting; not your sort.”
A look of cynic humour flashed into the other’s highly decorated eyes.
“I see,” she said, dryly; adding, “But at least come and take a turn with me. If you sit well back nobody will see you, and I have a hundred things to say to you. Come, get in!”
Source: Gutenberg

Portrait of Rhoda Broughton Rhoda Broughton A waif's progress (1905)

She ended with a low wail.
“Don’t be hysterical,” replied Camilla, hastily. “Edward, go and fetch her a glass of port wine and a biscuit. The servants must not see her. There, lie down and go to sleep. What is the use of crying yourself into a jelly just because for once in your life you have behaved properly?”
Edward departed on his errand with the greatest alacrity, glad to escape from the horrible yearning of angry pity that the sight of Bonnybell in her distorted misery inspired him with, and from the grating severity of his wife’s voice.
Source: Gutenberg

Portrait of Rhoda Broughton Rhoda Broughton A waif's progress (1905)

Not a soul in the room but must have noticed the exaggerated emphasis on the personal pronoun, and have drawn the inevitable inference that to meet Miss Ransome in a respectable house was an experience that must take away any one’s breath. The wings of the not yet seen Toby were already spread for flight. Who could have anticipated that the egg of that bright prospect would be addled almost before it was laid? These thoughts were coursing through Bonnybell’s brain, even while she was murmuring her answer in a tone calculated in its hesitating meekness to deprecate any further showing up.
Source: Gutenberg

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