Richard Francis Burton

Richard Francis Burton

Summary

Portrait of Richard Francis Burton Richard Francis Burton The Jew, the Gypsy and El Islam… (1898)

Richard Burton is the only man (not a Gypsy) with that peculiarity, and he shares with them the same horror of a corpse, death‐bed scenes, and graveyards, though caring little for his own life.’ When to this remarkable fact be added the scarcely less interesting detail that ‘Burton’ is one of the half‐dozen distinctively Romany names, it is evident that the suspicion of Sir Richard Burton having a drop of Gypsy blood in his descent—crossed and commingled though it be with an English, Scottish, French, and Irish strain is not altogether unreasonable.
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Jew, the Gypsy and El Islam… (1898)

Whether there may not be also a tinge of Arab, or perhaps of Gypsy blood in Burton’s race, is a point which is perhaps open to question. For the latter suspicion an excuse may be found in the incurable restlessness which has beset him since his infancy, a restlessness which has effectually prevented him from ever settling long in any one place, and in the singular idiosyncrasy which his friends have often remarked—the peculiarity of his eyes. ‘When it (the eye) looks at you,’ said one who knows him well, ‘it looks through you, and then, glazing over, seems to see something behind you.
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Jew, the Gypsy and El Islam… (1898)

He hoped, for instance, to make fuller inquiries concerning the Gypsies in France, Germany, and other countries of Europe, and especially he intended to write a chapter on the Gypsies in England on his return home. Even as it stands, however, The Gypsy is a valuable addition to ethnology; for apart from Burton’s rare knowledge of strange peoples and tongues, his connexion with the Gypsies lends to the subject a unique interest.
Source: Wikisource

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