Richard Marsh

Staggers (1901)

Summary

Richard Marsh Staggers (1901)

We separated, Philipson and I going off in search of a hedge—or, of what, I believe, is called upon the stage a "practicable" gate, Philipson, on the way, being more voluminous on the subject of wire fencing than I ever thought he could have been.
We discovered ourselves, at last, to be in a lane, though we had not the faintest notion of where we were, or of where the hunt was, either. However, we trotted on, as if we still entertained hopes of being in at whatever it may be which, in "stagging," takes the place of the death. Suddenly we reached a point at which another lane turned into ours.
Source: Wikisource

Richard Marsh Staggers (1901)

The hounds barked; men shouted; boys whistled. It was a scene of pleasing confusion. In a few seconds, I take it, the word to start was given, the huntsman blew his horn, and the hounds, barking as if with the intent to split their throats, went rushing after the people, who already were rushing after the deer. The hunt was off. I, also, was nearly off, because, in the muddle, which was the most marked feature of the moment, a man in pink cannoned against me, and almost succeeded in laying my steed and its rider low. "Look out where you're coming to!"
Source: Wikisource

Richard Marsh Staggers (1901)

The Master's horse was not the kind of quadruped to force its way through such an obstacle, or to surmount it by a jump, especially with its owner on its back.
The Master's stentorian tones were the first intimation the boy had received that there had been spectators of his action. When he heard that strident voice, and was saluted by that flow of language, and recognised the Master's "pink," no doubt he realised the full enormity of his offence.
Source: Wikisource

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