Richard O. Lewis

Summary

Richard O. Lewis A Bottle of Old Wine

The gay and bizarre costumes of the masked revelers on the dance floor and at the tables, unearthly in themselves, were made even more so by the altering light. Music flooded the room from unseen sources. Laughter—hysterical, drunken, filled with utter abandonment—came from the dance floor, the tables, and the private booths and rooms hidden cleverly within the walls.
Hyrel pushed himself to an unoccupied table, sat down and ordered a bottle of cheap whiskey.
Source: Gutenberg

Richard O. Lewis A Bottle of Old Wine

Another waiter placed a fresh bottle of whiskey on the table before Hyrel, and Hyrel paid him for it.
The whiskey, reaching his head now in surges of warm cheerfulness, was filling him with abandonment, courage, and a desire for merriment. He pushed himself up from the table, joined the merry throng, threw his arm about the Persian dancer, drew her close.
They began dancing slowly to the throbbing rhythm, dancing and holding on to each other tightly. Hyrel could feel her hot breath through her veil upon his neck, adding to the headiness of the liquor.
Source: Gutenberg

Richard O. Lewis A Bottle of Old Wine

He knew that the music and the images of the performers on the TV and telovis were brought to his room by some form of electrical impulse or wave while the actual musicians and performers remained in the studio. He knew that when he pressed the switch on his thigh something within him—his ectoplasm, higher self, the thing spirits use for materialization, whatever its real name—streamed out of him along an invisible channel, leaving his body behind in the chair in a conscious but dream-like state.
Source: Gutenberg

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