Ridgwell Cullum

Ridgwell Cullum

Summary

Portrait of Ridgwell Cullum Ridgwell Cullum The Man in the Twilight

I don't go back on the things I said. Nature as she dopes out life couldn't hand me a hundredth part of the happiness I get that way. But when I'm through, like that lumber-jack who's struck off the pay roll, how's it going to be with me? A trained mind without the bodily ability to thrust on in the game of life. It'll be hell—just hell. The one hope is to die in harness. Like the forest-jack who drowns under the logs on the river, or who gets up against the other feller's knife in a drunken scrap. That way lies happiness.
Source: Gutenberg

Portrait of Ridgwell Cullum Ridgwell Cullum The Man in the Twilight

And the whole countryside was a dripping, melting sea of wintry slush. The sun was rising higher in the steely heavens with each passing day, but winter was still reluctant. It passed on to its dissolution only under irresistible pressure.
Nancy, no less than Father Adam and those others, to whom the early thaw meant so much, watched the passing of winter with the closest interest. But her interest owed its origin to a far different inspiration. She knew it meant that her time at Sachigo was nearing its end, and the future with all its barrenness was staring at her.
Source: Gutenberg

Portrait of Ridgwell Cullum Ridgwell Cullum The Man in the Twilight

I'm not going to change the plan of life I've laid down. I've learnt happiness in the forests. The twilight of it all has been my salvation. Time was when I had other desires, other delights. They've long since passed. Now there's only one appeal to me in life. It's the boys, the scallawags, who haunt the forest like I do. I love them. And my life's theirs as long as Hellbeam leaves it to me. Get just that into your thick, old head, Bat, and for our last five minutes together we can talk of things more pleasant than Hellbeam.
Source: Gutenberg

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