Robert Browning

Robert Browning

Summary

Portrait of Robert Browning Robert Browning Old Pictures in Florence (1855)

You live—there's the Racers' frieze to follow:
You die—there's the dying Alexander.
XIV
So, testing your weakness by their strength,
Your meagre charms by their rounded beauty,
Measured by Art in your breadth and length,
You learned—to submit is a mortal's duty.
—When I say "you" 'tis the common soul,
The collective, I mean: the race of Man
That receives life in parts to live in a whole,
And grow here according to God's clear plan.
Source: Wikisource

Portrait of Robert Browning Robert Browning Old Pictures in Florence (1855)

Till the latest life in the painting stops,
Stands One whom each fainter pulse-tick pains:
One, wishful each scrap should clutch the brick,
Each tinge not wholly escape the plaster,
—A lion who dies of an ass's kick,
The wronged great soul of an ancient Master.
VII
For oh, this world and the wrong it does
They are safe in heaven with their backs to it,
The Michaels and Rafaels, you hum and buzz
Round the works of, you of the little wit!
Do their eyes contract to the earth's old scope,
Now that they see God face to face,
And have all attained to be poets, I hope?
Source: Wikisource

Portrait of Robert Browning Robert Browning Old Pictures in Florence (1855)

There's a fancy some lean to and others hate—
That, when this life is ended, begins
New work for the soul in another state,
Where it strives and gets weary, loses and wins:
Where the strong and the weak, this world's congeries,
Repeat in large what they practised in small,
Through life after life in unlimited series
Source: Wikisource

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