Robert Browning

Robert Browning

Summary

Portrait of Robert Browning Robert Browning Sordello — Book the Fourth (1840)

Indoors, to answer Salinguerra's ends,
Townsfolk make shift to crawl forth, sit like friends
With any one. A woman gave him choice
Of her two daughters, the infantile voice
Or the dimpled knee, for half a chain, his throat
Was clasped with; but an archer knew the coat—
Its blue cross and eight lilies,—bade beware
One dogging him in concert with the pair
Though thrumming on the sleeve that hid his knife.
Night set in early, autumn dews were rife,
They kindled great fires while the Leaguers' mass
Began at every carroch: he must pass
Between the kneeling people.
Source: Wikisource

Portrait of Robert Browning Robert Browning Sordello — Book the Fourth (1840)

God, goddess, woman, man, the Greek rough-rasps
In crumbling Naples marble—meant to look
Like those Messina marbles Constance took
Delight in, or Taurello's self conveyed
To Mantua for his mistress, Adelaide,—
A certain font with caryatides
Since cloistered at Goito; only, these
Are up and doing, not abashed, a troop
Able to right themselves—who see you, stoop
Their arms o' the instant after you!
Source: Wikisource

Portrait of Robert Browning Robert Browning Sordello — Book the Fourth (1840)

How render first these people happy? Ask
The people's friends: for there must be one good
One way to it—the Cause! He understood
The meaning now of Palma; why the jar
Else, the ado, the trouble wide and far
Of Guelfs and Ghibellins, the Lombard hope
And Rome's despair?—'twixt Emperor and Pope
The confused shifting sort of Eden tale—
Hardihood still recurring, still to fail—
That foreign interloping fiend, this free
And native overbrooding deity:
Yet a dire fascination o'er the palms
The Kaiser ruined, troubling even the calms
Of paradise
Source: Wikisource

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