Guido da Colonna

Definition and stakes

Portrait of Emma Goldman Emma Goldman,  The Social Significance of the Modern Drama (1914)

“ Guido Colonna, in the consciousness that the woman belongs to him, that no man may even look, with desire, upon her dazzling beauty, resents this mortal insult. He is willing that all the other women should face danger, that the little children of pisa should be exposed to hunger and destruction, rather than that he give up his possession. ”
Source: Wikisource

Great Pictures, As Seen and Described by Famous Writers

“ All ranks of people knew the outlines of this history, and participated in the overwhelming interest which it seems to have the magic of exciting in the human heart. I had a copy of Guido's picture of Beatrice, which is preserved in the Colonna Palace, and my servant instantly recognized it as the portrait of La Cenci....
The portrait of Beatrice at the Colonna Palace is most admirable as a work of art: it was taken by Guido during her confinement in prison. But it is most interesting as a just representation of one of the loveliest specimens of the workmanship of Nature.
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Source: Gutenberg

Portrait of Leigh Hunt Leigh Hunt,  Stories from the Italian Poets…

“ They are the most appalling ever yet produced.]
[Footnote 34: Guido, Conte di Montefeltro, a celebrated soldier of that day, became a Franciscan in his old age, in order to repent of his sins; but, being consulted in his cloister by Pope Boniface on the best mode of getting possession of an estate belonging to the Colonna family, and being promised absolution for his sins in the lump, including the opinion requested, he recommended the holy father to "promise much, and perform nothing" (molto promettere, e nulla attendere) .]
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Source: Gutenberg

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