Emma Goldman,
The Social Significance of the Modern Drama
(1914)
“ Guido Colonna, in the consciousness that the woman belongs to him, that no man may even look, with desire, upon her dazzling beauty, resents this mortal insult. He is willing that all the other women should face danger, that the little children of pisa should be exposed to hunger and destruction, rather than that he give up his possession. ”
