Summary

Portrait of Mrs. Oliphant Mrs. Oliphant The Makers of Modern Rome, in Four Books

No man in the world except thyself can shake the foundations of the edifice thou hast constructed; but that which thou hast founded thou canst ruin: for to destroy his own proper work no man is so able as the architect. You know the road by which you have risen to glory: if you turn back you shall soon find yourself in the lowest place; and going down is naturally the quicker.... I was hastening to you and with all my heart: but I turn upon the way. Other than what you were, I would not see you. Adieu, Rome, to thee also adieu, if that is true which I have heard.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Makers of Modern Rome, in Four Books

Rome which had been the seat of empire, the centre from which law and power had gone out over all the earth, the very impersonation of the highest forces of humanity, the pride of life, the eminence of family and blood—now saw her highest names subjected voluntarily to strange new laws of humiliation, whole households trooping silently away in the garb of servants to the desert somewhere, to the Holy Land on pilgrimages, or living a life of hardship and privation and detachment from all public interests, in the very palaces which had once been the seats of authority.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Makers of Modern Rome, in Four Books

What a cry of joy among the choirs of the monks, among all the bands of the virgins! In our excitement we wait for no carriage but go on foot to meet you, to clasp your hand, to look upon your face. When will the day come when we shall enter together the birthplace of Christ: when, leaning over the divine sepulchre, we weep with a sister, a mother, when our lips touch together the sacred wood of the Cross: when on the Mount of Olives our hearts and souls rise together in the rising of our Lord? Would not you see Lazarus coming out of his tomb, bound in his shroud?
Source: Gutenberg

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