Robert E. Howard

Robert E. Howard

Summary

Portrait of Robert E. Howard Robert E. Howard Skull-Face — The Man on the Couch (1929)

Yussef Ali and the Chinese glided back and forth tending to the wants of the sleepers.
Suddenly the door to the rear room opened and a strange and hideous figure came haltingly out. Not all of those who found entrance to Yun Shatu's back room were aristocrats and society members. This was one of the exceptions, and one whom I remembered as having often entered and emerged therefrom. A tall, gaunt figure, shapeless and ragged wrappings and nondescript garments, face entirely hidden. Better that the face be hidden, I thought, for without doubt the wrapping concealed a grisly sight.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard Skull-Face — The Man on the Couch (1929)

Yun Shatu was shrieking volubly in Chinese and the four China boys and Yussef Ali were rushing in from all sides, knives glittering in their hands.
All this I saw with unnatural clearness even as I marked the stranger's face. As the fleeing leper gave no evidence of halting, I saw the eyes harden to steely points of determination, sighting along the pistol barrel--the features set with the grim purpose of the slayer. The leper was almost to the outer door, but death would strike him down ere he could reach it.
Source: Wikisource

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