Summary

Portrait of Robert E. Howard Robert E. Howard The Grisly Horror — Chapter 3: The Black Priest (1935)

McGrath plunged on through the vegetation that choked the path. A fat, blunt-tailed moccasin slithered from under his feet and vanished. Water could not be far away; a few more steps revealed it. They stood on the edge of a dank, slimy marsh from which rose a miasma of rotting vegetable matter. Cypresses shadowed it. The path ended at its edge. The swamp stretched away and away, lost to sight swiftly in twilight dimness.
"What now, effendi?" asked Ali. "Are we to swim this morass?"
"It's full of bottomless quagmires," answered McGrath. "It would be suicide for a man to plunge into it.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard The Grisly Horror — Chapter 3: The Black Priest (1935)

His thoughts reverted to the hideous scar seared on Richard Ballville's naked breast. Ballville had supposed that he, McGrath, knew its meaning; but he did not. That it portended black horror and madness he knew, but its full significance he did not know. Only once before had he seen that symbol, in the horror-haunted country of Zambebwei, into which few white men had ever ventured, and from which only one white man had ever escaped alive. Bristol McGrath was that man, and he had only penetrated the fringe of that abysmal land of jungle and black swamp.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard The Grisly Horror — Chapter 3: The Black Priest (1935)

As they stepped upon the beach-like strip, Ali, with a glance of commiseration, drew a flask from his pocket. "Drink a little brandy, effendi," he urged, touching the mouth to his own lips, oriental-fashion. "It will aid you." McGrath knew that Ali thought his evident agitation was a result of exhaustion. But he was scarcely aware of his recent exertions. It was the emotions that raged within him-the thought of Constance Brand, whose beautiful form had haunted his troubled dreams for three dreary years.
Source: Wikisource

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