Robert Ervin Howard

Robert Ervin Howard

Summary

Portrait of Robert Ervin Howard Robert Ervin Howard The Thessalians (1927)

Somolia started to roast him, when a budding genius in the audience put a hornet in a nigger-shooter and let ‘er go. The hornet buzzed through the air a lot faster than he’d ever flown, he hit Alonzo’s pants and hit end-on. Alonzo let out a squeal, climbed halfway up the screens, made a few impassioned gestures and left via the window. His shouts of “Fire!” came floating back for seven blocks. The audience rose as one man and applauded generously, and about that time a masked figure came running out on the stage.
Source: Wikisource

Portrait of Robert Ervin Howard Robert Ervin Howard The Thessalians (1927)

A pitched battle ensued, from which the cat fled, routed but victorious and the mayor got up and used language and made some wise cracks about law suits. However, we stopped the play long enough for the leading lady to apologize in her most bewitching manner and the old coot smirked and bowed and sat down again, whereupon we went on with the play. But Alonzo Chub made it a point of honor never to let a play go without pulling some bonehead. This time he was helping Somolia do up a stage carpet behind the scenes, and he backed out onto the stage into an impassioned love scene.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature