William Shakespeare,
Taming of the Shrew
(1921)
“ It is he who ultimately capitulates, not she, because her tact and finesse get the better of his blundering bluffness. It is astonishing how, with a prologue setting forth this view and stage business to back it up, Shakespeare's dialogue, practically without a change, lends itself to such a feminist interpretation of the play. Barrie finds that even in Shakespeare the eternal feminine triumphs over mere man, and so the whirligig of time has brought in its revenges! ”
