William Shakespeare

William Shakespeare

Summary

Portrait of William Shakespeare William Shakespeare Taming of the Shrew (1921)

It is he who ultimately capitulates, not she, because her tact and finesse get the better of his blundering bluffness. It is astonishing how, with a prologue setting forth this view and stage business to back it up, Shakespeare's dialogue, practically without a change, lends itself to such a feminist interpretation of the play. Barrie finds that even in Shakespeare the eternal feminine triumphs over mere man, and so the whirligig of time has brought in its revenges!
Source: Wikisource

Portrait of William Shakespeare William Shakespeare Taming of the Shrew (1921)

In the process Shakespeare's play naturally underwent great change in treatment, one important difference being in the psychology of the principal characters. Petruchio is represented as having seen and loved Katherine before he undertakes to marry her, his rough exterior is merely for the purpose of winning her love; Katherine, on the other hand, succumbs at once to Petruchio's masterful wooing and confesses to herself after the first scene with him that she has quite lost her heart.
Source: Wikisource

Portrait of William Shakespeare William Shakespeare Taming of the Shrew (1921)

In Germany the drama has been very popular and has figured nearly every year in the metropolitan and provincial repertoires under the title of 'Der Widerspänstigen Zähmung'; a German version of the play was given at the Irving Place Theatre in New York City during March, 1916.
In 1903 Elsie Leslie and Jefferson Winter gave a performance of The Shrew which included the Induction and Garrick's Katharine and Petruchio, perhaps the only time that such a combined text has been seen on the stage.
Source: Wikisource

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