Summary

Portrait of Robert Hichens Robert Hichens Smaïn; and Safti's Summer Day

The persistent flute gave forth a shower of notes that were like drops of water flung softly in our faces.
“He is in love,” added Safti with a slight yawn.
“How do you know?”
“When the African is in love he plays upon the pipe. That is what they say in the Sahara.”
“And you think he is alone under some palm-tree playing for himself?”
“Yes; he is quite alone. If he is much in love he will play all day, and, perhaps, all night too.”
“But she cannot hear him.”
“That does not matter. He plays for his own heart, and his own heart can hear.”
Source: Gutenberg

Portrait of Robert Hichens Robert Hichens Smaïn; and Safti's Summer Day

SMAÏN “When the African is in love he plays upon the pipe.” Sahara Saying.
Far away in the desert I heard the sound of a flute, pure sound in the pure air, delicate, sometimes almost comic with the comicality of a child who bends women to kisses and to nonsense-words. We had passed through the sandstorm, Safti and I, over the wastes of saltpetre, and come into a land of palm gardens where there was almost breathless calm.
Source: Gutenberg

Portrait of Robert Hichens Robert Hichens Smaïn; and Safti's Summer Day

The gardeners lay upon the earth divans under the palmwood roofs, and slept. And at last Smaïn bade us good-bye. I saw his white figure glide across the great open space that the moon made white as it was. And when the shadows took him I still heard the faint sound of his flute, calling to his heart and to the distant Oreïda through the magical stillness of the night.
The next day we reached Touggourt, and in the evening I went with Safti and the Caïd of the Nomads to the great café of the dancers in the outskirts of the town. At the door Arab soldiers were lounging.
Source: Gutenberg

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