Robert Louis Stevenson

Robert Louis Stevenson

Summary

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Silverado Squatters (1911)

And now, behold, here came the fog to besiege me in my chosen altitudes, and yet came so beautifully that my first thought was of welcome.
The sun had now gotten much higher, and through all the gaps of the hills it cast long bars of gold across that white ocean. An eagle, or some other very great bird of the mountain, came wheeling over the nearer pine-tops, and hung, poised and something sideways, as if to look abroad on that unwonted desolation, spying, perhaps with terror, for the eyries of her comrades.
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Silverado Squatters (1911)

Half an hour later, the fog had surmounted all the ridge on the opposite side of the gap, though a shoulder of the mountain still warded it out of our cañon. Napa Valley and its bounding hills were now utterly blotted out. The fog, sunny white in the sunshine, was pouring over into Lake County in a huge, ragged cataract, tossing treetops appearing and disappearing in the spray. The air struck with a little chill, and set me coughing. It smelt strong of the fog, like the smell of a washing-house, but with a shrewd tang of the sea salt.
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Silverado Squatters

I rose before any one else, lit the stove, put on the water to boil, and strolled forth upon the platform to wait till it was ready. Silverado would then be still in shadow, the sun shining on the mountain higher up. A clean smell of trees, a smell of the earth at morning, hung in the air. Regularly, every day, there was a single bird, not singing, but awkwardly chirruping among the green madronas, and the sound was cheerful, natural, and stirring.
Source: Gutenberg

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