Robert Louis Stevenson

Robert Louis Stevenson

Summary

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  The Wrong Box (1889)

“ It was indeed Morris that stood before them; not the Morris of ordinary days, but a wild-looking fellow, pale and haggard, with blood-shot eyes, and a two-days' beard upon his chin.
'The barrel!' he cried. 'Where's the barrel that came this morning?' and he stared about the lobby, his eyes, as they fell upon the legs of Hercules, literally goggling in his head. 'What is that?' he screamed. 'What is that wax-work? Speak, you fool! What is that? and where's the barrel—the water-butt?'
'No barrel came, Morris,' responded Julia coldly.
”
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  The Wrong Box (1889)

“ But there was no sentiment in the face of Morris as he gazed upon the dead. Gnawing his nails, with introverted eyes, his brow marked with the stamp of tragic indignation and tragic intellectual effort, he stood there silent. Here was a last injustice; he had been robbed while he was an orphan at school, he had been lashed to a decadent leather business, he had been saddled with Miss Hazeltine, his cousin had been defrauding him of the tontine, and he had borne all this, we might almost say, with dignity, and now they had gone and killed his uncle! ”
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  The Wrong Box (1889)

“ I shall call myself Vance—the Great Vance; positively the last six nights. There's some go in a name like that.'
'Vance?' cried Morris. 'Do you think we are playing a pantomime for our amusement? There was never anybody named Vance who wasn't a music-hall singer.'
'That's the beauty of it,' returned John; 'it gives you some standing at once. You may call yourself Fortescue till all's blue, and nobody cares; but to be Vance gives a man a natural nobility.'
'But there's lots of other theatrical names,' cried Morris.
”
Source: Wikisource

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