Robert W. Chambers,
The King in Yellow — The Mask
(1895)
“ He held the lily toward me and I took it in my hand. It had turned to stone, to the purest marble. “You see,” he said, “it is without a flaw. What sculptor could reproduce it?” The marble was white as snow, but in its depths the veins of the lily were tinged with palest azure, and a faint flush lingered deep in its heart. “Don’t ask me the reason of that,” he smiled, noticing my wonder. “I have no idea why the veins and heart are tinted, but they always are. Yesterday I tried one of Geneviève’s gold fish,—there it is.” The fish looked as if sculptured in marble. ”
