Summary

Portrait of Leonard Merrick Leonard Merrick McClure's Magazine, Volume 41, Number 3… (1913)

A fool to yourself, you think. I have changed, and you should have known I must have changed; it would have spared you the bother of seeking me, the disillusion when we met—there are no wrinkles creeping on the statue! Oh, it has been a fraud for you; I realize the sell! But you are not the only sufferer by your folly. A man can not talk to a woman as you have talked to me, and leave her cold; he can not say, 'I felt all this for you before I saw you—now, good-by!' and leave her proud; he can't adore her in the marble and disdain her in the flesh without her being ashamed.
Source: Wikisource

Portrait of Leonard Merrick Leonard Merrick McClure's Magazine, Volume 41, Number 3… (1913)

It held me fixed."
"It is Beauvais' masterpiece," said Gaby; "they all say it is the finest thing he has done."
"It is a masterpiece, yes. But I was not thinking of the sculptor and his art any more; I was thinking of the face, without remembering how it had come about. It was as if a beautiful mind were really pondering behind that brow. The character of the mouth and chin impressed me as if the marble had been flesh and blood; the abstracted eyes could not have stirred me to more reverence if they had had sight.
Source: Wikisource

Portrait of Leonard Merrick Leonard Merrick McClure's Magazine, Volume 41, Number 3… (1913)

The fact that there must have been a model for it was borne upon me quite suddenly. It had the thrill of a revelation, and nearly dazed me. This woman lived! Somewhere in the world she was walking, speaking! It was as if a miracle had happened, as if the statue had come to life. I repeated breathlessly that it was true, but it appeared fabulous. I had attributed emotions to the marble figure with ease—to grasp the simple truth of the woman's existence was inconceivably difficult
Source: Wikisource

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