Summary

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Street of the Four Winds (1895)

But do you know that in Elven Fate had another name, and that name was Sylvia?”
He replaced the garter and stood up looking down at the cat crouched before the closed door.
“The name of Elven has a charm for me. It tells me of meadows and clear rivers. The name of Sylvia troubles me like perfume from dead flowers.”
The cat mewed.
“Yes, yes,” he said soothingly, “I will take you back. Your Sylvia is not my Sylvia; the world is wide and Elven is not unknown. Yet in the darkness and filth of poorer Paris, in the sad shadows of this ancient house, these names are very pleasant to me.”
Source: Wikisource

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Street of the Four Winds (1895)

The cat looked serious, for a moment doubtful, and her ears flattened in nervous expectation. Presently, she rose with a jerk of her tail and started on a noiseless tour of the studio. She sneezed at a pot of turpentine, hastily retreating to the table, which she presently mounted, and having satisfied her curiosity concerning a roll of red modelling wax, returned to the door and sat down with her eyes on the crack over the threshold.
Source: Wikisource

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