Robert Welles Ritchie

Robert Welles Ritchie

Summary

Portrait of Robert Welles Ritchie Robert Welles Ritchie The Passing of a Dictator (1912)

Custom of years, instilled always through fear, and latterly, also, through an hysterical sort of affection for the strength of a strong man, had been dropped like a garment, and the mob, seeing its master falter, was ready to pull him down.
Porfirio Diaz in his age had been lulled out of his eternal vigilance by the flattery of sycophants, who cut his power from under him even while they glorified him with the tinsel and band-music of the Centennial celebration. The revolution of Madero, petty at first, grew to grave proportions.
Source: Wikisource

Portrait of Robert Welles Ritchie Robert Welles Ritchie The Passing of a Dictator (1912)

Looking from a window of the Chamber of Deputies that afternoon, one saw the waving arms of the journalist messenger conjure a sprouting stubble of brandished arms over the field of hats up and down the Calle de Factor. For a minute there was a confused weaving of conflicting currents over all the crowd. Faces were seen to be disfigured by an infectious paroxysm of madness. Men stooped and clawed at the cobbles under their feet at the primal dictates of mob madness. Other men went racing from the fringes of the crowd into the side streets, eager to carry the flame to new tinder.
Source: Wikisource

Portrait of Robert Welles Ritchie Robert Welles Ritchie The Passing of a Dictator (1912)

There were shouts of individuals trampled, the flickering movement of men dodging hoofs, the quick snaffling of mounts made to close holes in the dike of resistance, and then the mob came to a halt. Just those double lines of armed horsemen at either end of a dark alleyway between walls—within the guarded space the marble house where Diaz lay—and stretching far at either end of the blocked thoroughfare the solid masses of humanity, inflexible, unreasoning, and mad with the lust for killing.
Source: Wikisource

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