Roxey Ann Caplin

Summary

Roxey Ann Caplin Health and beauty — Chapter XI (1864)

It is always such colours that are chosen for what is properly called dress, or for that species of apparel in which something more than mere convenience is intended. When we speak of such dress, accordingly we generally describe its beauty by its character, by its being delicate, or rich, or gay, or magnificent, or in other words, by its being distinguished by some pleasing or affecting expression.
Source: Wikisource

Roxey Ann Caplin Health and beauty — Chapter XI (1864)

The same colour which would be beautiful in the dress of a prince would be ridiculous in that of a peasant. We expect gay colours in the dress of youth, and sober and temperate colours in the dress of age. We feel a propriety in the cheerful colours of marriage, and in the melancholy colours of mourning. There is a propriety of relation also between the colours which distinguish the dress of certain situations, and those situations themselves which we can never see violated without some de­gree of pain.
Source: Wikisource

Roxey Ann Caplin Health and beauty — Chapter XI (1864)

The elegant form, the flexibility of motion, the gentle warmth, the cheeks crimsoned with the roses of delight, the brilliant eyes darting rays of love, or sparkling with the fire of genius, enlivened by the sallies of wit, or animated by the glow of passion, are the inheritance of those only who are in good health, and a moment is sufficient to destroy them.
Source: Wikisource

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