Summary

Portrait of Ruth McEnery Stuart Ruth McEnery Stuart The River's Children: An Idyl of the Mississippi

But, whether she be obdurate or kindly, hysterical or melancholy, or so serene as to invite the heavens, life and love and song are hers.
Uniting while she seems to divide, bringing together whom she appears to separate, a raft of logs contributed by her grace affording free passage the length of her realm to whoever will take it, paying no toll, she invites Romance to set sail under the stars in primal simplicity, eschewing the "bridal chambers" of white and gold which lie in the hearts of all the busy steamers, no matter how otherwise prosaic their personalities.
Source: Gutenberg

Portrait of Ruth McEnery Stuart Ruth McEnery Stuart The River's Children: An Idyl of the Mississippi

She started, fearing that her man was hurt; but before she could find voice of fear or question, Israel had drawn the stranger to her and was saying in a broken voice:
"Hannah! Hannah! Heah Mars' Harol'!"
Only a moment before, with her dim eyes fixed upon the sky, she had experienced a realization of faith, and believed herself confidently awaiting her master's coming. And yet, seeing him now in the flesh before her, she exclaimed:
"What foolishness is dis, ole man? Don't practice no jokes on me to-night, Isrul!"
Source: Gutenberg

Portrait of Ruth McEnery Stuart Ruth McEnery Stuart The River's Children: An Idyl of the Mississippi

So idly, playfully, the talk rippled on, ever insensibly flavored with rich romance of life, even as the fitful breeze skirting the shores held, in shy suspension, an occasional hint of orange-blossoms or of the Cuban fruits which, heaping the luggers in the slanting sun, laid their gay bouquets of color against the river's breast.
It is many years since the maid Agnes Le Duc, on her way to coronation at the carnival, stood while the sun went down in all her vestal beauty on deck of the Laurel Hill, and smiled through tears of tenderness at life as half revealed to her.
Source: Gutenberg

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