Summary

Portrait of S. R. Crockett S. R. Crockett Cleg Kelly, Arab of the City: His Progress and Adventures

Then in a little while Cleg went down the Avenue with a sense that the heavens had fallen, and that angels were getting quite common about the garden gates of the South Side. He carried the arm on which Celie had laid her hand a little apart from him. It was as blissfully sensitive as if he had been ten years older.
Celie stood a moment at the gate looking after him. She shaded her eyes from the sunset and looked down the long street. It is a charming pose when one is sure of one's arms and shoulders.
Source: Gutenberg

Portrait of S. R. Crockett S. R. Crockett Cleg Kelly, Arab of the City: His Progress and Adventures

Vara Kavannah spoke of Sheemus Kavannah as "faither," but always of her mother as "she." To-day the girl had her fair hair done up in a womanly net and stowed away on the top of her head. When one has the cares of a house and family, it is necessary to dress in a grown-up fashion. Indeed, in some of her moods, when the trouble of Hugh and the baby lay heavy on her, Vara looked like a little old woman, as if she had been her own fairy godmother fallen upon evil times.
Source: Gutenberg

Portrait of S. R. Crockett S. R. Crockett Cleg Kelly, Arab of the City: His Progress and Adventures

But Kit Kennedy could call friends out of the visionary air to sit with him in "sessions of sweet silent thought." Often he walked day after day in a world all his own. And the most stinging words of Mistress McWalter did not affect him one whit more than the gusts of wind-born rain which dashed at him across the lake.
In the same circumstances, Cleg would simply have smitten Mistress McWalter with a stone, or, if more convenient, with a poker, and so departed well content. But Kit Kennedy forbore, and made nothing of her persecution. He could dodge her blows by watching her hand.
Source: Gutenberg

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