Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould In the Roar of the Sea — Chapter 8

But he was arrested, then drawn lightly, irresistibly, step by step, toward the piano, and he noiselessly sank upon a chair, with his eyes fixed on Judith's fingers as they danced over the keys. His features assumed a more refined character as he listened; the water rose into his eyes, his lips quivered, and when, before reaching the end of the piece, Judith faltered and stopped, he laid his hand on her wrist and said: "My—dear you play, you do not strum. Play when you will—never can it be too long, too much for me.
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Portrait of Sabine Baring-Gould Sabine Baring-Gould In the Roar of the Sea — Chapter 8

I do not believe in your fearlessness. Why do you lean on the piano. There, touch the wires with the very tips of your lingers, and let me hear if they give a sound—and sound they will if you tremble."
Judith exposed some of the wires by raising the top of the piano. Then she smiled, and stood with the tips of her delicate fingers just touching the chords. Coppinger listened, so did Uncle Zachie, and not a vibration could they detect.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould In the Roar of the Sea — Chapter 8

Captain Coppinger, papa thought your house was hardly one to which to send two children—it was said to harbor such wild folk."
"And he did not know how fiercely and successfully you could defend yourself against wild folk," said Coppinger, with a harsh laugh. "It is we wild men that must fear you, for you dash us about and bruise and break us when displeased with our ways. We are not so bad at the Glaze as we are painted, not by a half—here is my hand on it."
Judith was still seated on the music-stool, her hands resting in her lap.
Source: Wikisource

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