Summary

Portrait of Saki Saki Beasts and Super-Beasts — The Schartz-Metterklume Method (1914)

Then, in the roadway beyond, she saw a horse struggling with a more than ample load, and a carter of the sort that seems to bear a sullen hatred against the animal that helps him to earn a living. Lady Carlotta promptly betook her to the roadway, and put rather a different complexion on the struggle. Certain of her acquaintances were wont to give her plentiful admonition as to the undesirability of interfering on behalf of a distressed animal, such interference being “none of her business.”
Source: Wikisource

Portrait of Saki Saki Beasts and Super-Beasts — The Schartz-Metterklume Method (1914)

Quabarl,” continued the lady; “and where, pray, is your luggage?”
“It’s gone astray,” said the alleged governess, falling in with the excellent rule of life that the absent are always to blame; the luggage had, in point of fact, behaved with perfect correctitude. “I’ve just telegraphed about it,” she added, with a nearer approach to truth.
“How provoking,” said Mrs. Quabarl; “these railway companies are so careless. However, my maid can lend you things for the night,” and she led the way to her car.
Source: Wikisource

Portrait of Saki Saki Beasts and Super-Beasts — The Schartz-Metterklume Method (1914)

The governess, fives-bat in hand, sat negligently on the stone balustrade, presiding over the scene with the cold impartiality of a Goddess of Battles. A furious and repeated chorus of “I’ll tell muvver” rose from the lodge-children, but the lodge-mother, who was hard of hearing, was for the moment immersed in the preoccupation of her washtub.
After an apprehensive glance in the direction of the lodge (the good woman was gifted with the highly militant temper which is sometimes the privilege of deafness) Mrs. Quabarl flew indignantly to the rescue of the struggling captives.
Wilfrid! Claude!
Source: Wikisource

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