Summary

Portrait of Saki Saki Beasts and Super-Beasts — The Stalled Ox (1914)

On one side of his garden there abutted a small, picturesque meadow, in which an enterprising neighbour pastured some small picturesque cows of the Channel Island persuasion. At noonday in summertime the cows stood knee-deep in tall meadow-grass under the shade of a group of walnut trees, with the sunlight falling in dappled patches on their mouse-sleek coats. Eshley had conceived and executed a dainty picture of two reposeful milch-cows in a setting of walnut tree and meadow-grass and filtered sunbeam, and the Royal Academy had duly exposed the same on the walls of its Summer Exhibition.
Source: Wikisource

Portrait of Saki Saki Beasts and Super-Beasts — The Stalled Ox (1914)

Eshley,” said Adela in a shaking voice, “I asked you to drive that beast out of my garden, but I did not ask you to drive it into my house. If I must have it anywhere on the premises I prefer the garden to the morning-room.”
Cattle drives are not in my line,” said Eshley; “if I remember I told you so at the outset.” “I quite agree,” retorted the lady, “painting pretty pictures of pretty little cows is what you’re suited for. Perhaps you’d like to do a nice sketch of that ox making itself at home in my morning-room?”
Source: Wikisource

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