Summary

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XV. I RECEIVE VISITORS (1920)

In the first place, for any man to choose to live, solitary, in such an abode as the Bell House was remarkable. Why had the masterful Eurasian retired to that retreat in company with his black servitor? I thought of my own case, but it did not seem to afford a strict analogy.
Then, who was the "niece" so closely guarded by Dr. Greefe? And if she was none other than my late elegant visitor why had she sought the interview? Not even my natural modesty, which in such matters I have sometimes thought to be excessive, could conceal from me the fact that she had found my society pleasing.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XV. I RECEIVE VISITORS (1920)

I recognized its folly.
"A lady," I repeated; "but I know no one here. Are you certain that it was for me she asked?"
"Quite, sir," replied the landlord, who was evidently flurried out of his usual calm by what I gathered to be an episode unprecedented in his memories of the Abbey Inn. "Mr. Addison, she asked for. She is waiting in the coffee-room, sir."
Wholly at a loss to understand who my visitor could be, I made my way to the little apartment at the side of the bar-parlor which Mr. Martin had dignified with the title of coffee-room.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XV. I RECEIVE VISITORS (1920)

I said indifferently; for the Eurasian's behavior transcended the merely annoying and was that of a lunatic. "I would not willingly provoke a sick man, and the tone and manner of your address forcibly suggest to me that your temperature is not normal."
A moment he stood bending towards me, his pose that of one about to spring, then:
"Ah," he exclaimed, "yes, you are right, Mr. Addison. I live much alone and I fear my manner grows brusk. Overlook it. She has gone, then?"
Source: Wikisource

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