Neith Boyce

Neith Boyce

Summary

Portrait of Neith Boyce Neith Boyce The Folly of Others — Molly (1904)

Molly sat down, smiling contentedly, and Martin threw himself on the soft mat of pine-needles and leaned against the gray rock-face to look at her.
"You're a sweet-tempered thing," he said, caressingly. "You're as sweet as you look. Else you never could put up with a crotchety fellow like me for a day! But perhaps you know how fond I am of you all the time I'm losing my temper—do you? No, you can't know how I love people like you—dear, soft, easy-tempered, kind creatures!
Source: Wikisource

Portrait of Neith Boyce Neith Boyce The Folly of Others — Molly (1904)

Steve had always been good to her father, and he loved her. Was she to stand calmly by and see him trapped?
Meantime Martin, in blissful unconsciousness of the adverse emotion he had aroused, was walking up and down in the darkness under the soft southern stars, puffing desultorily at a cigar, with great breaths of the pine-scented air in between, and thinking of Paris. He had made his choice now for good and all. It was to be Paris and art and Molly, instead of New York and the life of "society" and—Eleanor Harcourt.
Source: Wikisource

Portrait of Neith Boyce Neith Boyce The Folly of Others — Molly (1904)

Molly had no social experience or ambitions, no preconceived ideas to unfit her for the modest life they would lead. The beer and tobacco, the shirt-sleeves and slang of Bohemia would not discompose her. She was not hidebound by conventionalities nor wedded to fashionable follies. Imagine Eleanor Harcourt in the old studio among the men who were used to congregate there!
Martin burst into a short laugh. He began to walk up and down the room, his eyes glowing as he dreamed of the future.
Source: Wikisource

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