David Ely

Summary

David Ely The wizard of light (1962)

One of the curators spoke: "Why do you want to ruin us?"
"It should be obvious," the Wizard declared. "My object is not to destroy you, but art. Art falsifies nature in general, and light values in particular. It is the curse of mankind. Years ago I decided to eliminate it. But how? The answer, my friends, was not long in coming. I determined to destroy art by rendering it commercially worthless—which, needless to say, I am well on the way to accomplishing!—for I know that in this world, nothing can survive the loss of monetary value!"
Source: Gutenberg

David Ely The wizard of light (1962)

The molecular camera was a mere tangle of wires and metal, yet it still hummed erratically on for a time, and before the astonished eyes of the gathering crowd, it belched out its final and greatest creation—a magnificent melange of all periods and styles, a triumphant distillation of man's artistic genius through the ages, marred only by the unfortunate representation, in one corner, of a human nose in juxtaposition with the thumb of an upraised hand whose fingers were indelicately spread.
Source: Gutenberg

David Ely The wizard of light (1962)

By this time, the entire art world was in a state of nervous collapse. Dozens of masterworks had been rendered worthless by their sheer profusion. Others joined the list every day. Collectors sought frantically to sell—but no one would buy. Even those paintings as yet untouched by the blight could not be sold, for what buyer could be sure that a hundred identical canvases would not quickly turn up elsewhere? Dealers' offices were closed, museum doors were shut—and most horrible of all, artists were ceasing to paint.
Source: Gutenberg

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