Summary

Portrait of Nellie Bly Nellie Bly,  Six Months In Mexico — Chapter IX. (1889)

“ It is not the kind of a museum where you have a two-cent show for a ten-cent silver piece, but it is a place that any city might be proud of. At the top of the stairs, for the museum is on the second floor, are several large paintings of religious subjects and an immense mirror with a fine frame, which was stolen from some cathedral during one of the many revolutions of Mexico.
The first room contains a life-size portrait of Maximilian, seated on a beautiful white steed. Around are Mexicans gazing at him with admiration and awe.
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Source: Wikisource

Portrait of Nellie Bly Nellie Bly,  Six Months In Mexico — Chapter IX. (1889)

“ THE MUSEUM AND ITS CURIOSITIES.
The first place tourists go on reaching Mexico is to the post-office. All one has to do when desiring to know what the latest incoming party looks like, is to take a position near the post-office. They stroll up the street, generally "goose fashion," stopping now and again to gaze at some prostrated pulque drinker; a wardrobe moving up the street on a pair of bare legs—i. e., a woman with a half-dozen babies tied to her; an old cripple sitting on the walk selling taffy, or a blind man selling lottery tickets.
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Source: Wikisource

Portrait of Nellie Bly Nellie Bly,  Six Months In Mexico — Chapter IX. (1889)

“ Dogs, cats, chickens, and even babies come in for their share of doubling up into all kinds of queer shapes. Monkeys, baboons, gorillas and a dilapidated elephant and giraffe finish this interesting quarter.
The court of the museum is planted with beautiful flowers and trees. Large idols were once standing there, but they have been moved inside of the building opposite the entrance. The idols can lay no claim to beauty, and are anything but interesting, except to people who have a wonderful amount of faith and a capacity to believe a fellow-creature's wild imagination.
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Source: Wikisource

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