Guy de Maupassant

Definition and stakes

Portrait of Guy de Maupassant Guy de Maupassant Strong as Death

The Countess did not like to hear him praise other women. She shrugged her shoulders slightly, but said nothing.
But the young girl, in whom the instinct of rivalry suddenly awoke, ventured to say: “I do not find her beautiful at all.”
“What! You do not think her beautiful?” said the painter.
“No; she looks as if she had been dipped in ink.”
The Duchess, delighted, burst into laughter.
“Bravo, little one!” she cried. “For the last six years half the men in Paris have been swooning at the feet of that negress! I believe that they sneer at us.
Source: Gutenberg

Portrait of Guy de Maupassant Guy de Maupassant Strong as Death

Standing still for a few seconds, one could hear in that nocturnal peace a confused, continuous murmur of life, a thousand slight sounds, the harmony of which seemed like silence.
A quail in a neighboring field uttered her double cry, and Julio, his ears erect, glided furtively toward the two flute-like notes of the bird, Annette following, as softly as he, holding her breath and crouching low.
“Ah,” said the Countess, standing alone with the painter, “why do moments like this pass so quickly? We can hold nothing, keep nothing. We have not even time to taste what is good.
Source: Gutenberg

Studying the short-story (1918)

An inflexible realist, he pressed his method farther than did Flaubert, a really strong novelist. From life’s raw materials Maupassant wove incomparably brilliant fiction-fabrics, equally distinguished for plot, characterization, and style; but it cannot be said that he interpreted life with a wholesome, uplifting spirit.
Happy are they whom life satisfies, who can amuse themselves, and be content ... who have not discovered, with a vast disgust, ... that all things are a weariness.—Guy de Maupassant.
He who destroys the ideal destroys himself.
Source: Gutenberg

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