Literary realism

“ But beyond the argument for cadenced prose as an aid to illusion, employed in the proper places,—that is, where intensity of imagery or feeling can benefit by it,—is the higher plea for sheer lingual beauty for its own sake. Shall realism preclude all other effects of artistic creation? Because the men on our streets, the women in our homes, talk sloppily, shall all our books be written in their idiom, all our stage characters reproduce their commonplaceness, nearly all our magazines and newspapers give no attention to the graces of style? ”

“ But literature is a progressive art, and soon the writers of the age developed two marked tendencies of their own,--the tendency to realism, and the tendency to that preciseness and elegance of expression which marks our literature for the next hundred years.
RealismIn realism--that is, the representation of men exactly as they are, the expression of the plain, unvarnished truth without regard to ideals or romance--the tendency was at first thoroughly bad. ”

“ Nevertheless, impatient though we may be of these utterly false ideas of Romance and Realism, a definition of those terms that will satisfy everyone is almost impossible. I cannot hope to achieve so exclusive an ambition—I can only say that to myself Realism is the study of life with all the rational faculties of observation, reason and reminiscence—Romance is the study of life with the faculties of imagination. I do not mean that Realism may not be emotional, poetic, even lyrical, but it is based always upon truth perceived and recorded—-it is the essence ol observation. ”

“ In our own day we have witnessed a sharp revolt against romantic verse, and a reversion toward those forms of art which reflect the actual experience of men, toward precision and accurate detail: Romance has been abandoned for what is called Realism. ”

“ If we seek within the mental habits of the novelist for a philosophic distinction between realism and romance, we shall have to return to a consideration of that threefold process of the fiction-making mind which was expounded in the preceding chapter of this book. Scientific discovery, philosophic understanding, and artistic expression of the truths of human life are phases of creation common to romantics and realists alike ”

“ And it has another and a wider claim—that it keeps up, in its own way, the element of the imaginative, of the fanciful—let us say even of the unreal—without which romance cannot live, without which novel is almost repulsive, and which the increasing advances of realism itself were to render more than ever indispensable. ”

“ Should you wish to dally with the mooted question of the difference between realism and romanticism—in the perplexing mazes of which many a fine little talent has been snuffed out like a flickering taper in a gust of wind—there are a score or more volumes that you will find in any large library, in which the whole matter is thrashed out unsatisfactorily. ”

“ Now is not the thesis tenable that it is in just this way that realism differs from romance? In their endeavor to exhibit certain truths of human life, do not the realists work inductively and the romantics deductively?
The Inductive Method of the Realist.––In order to bring to our knowledge the law of life which he wishes 33 to make clear, the realist first leads us through a series of imagined facts as similar as possible to the details of actual life which he studied in order to arrive at his general conception. ”

“ But all this does not of necessity constitute realism, because its effect is not of necessity the creation of illusion, however truthful the artist's purpose. Of what avail, in the drama, for example, are solid rooms and conversational vernacular if the characters do not come to life in our imaginations, so that we share their joys and sorrows? Of what effect are the realistic details of a novel, whether of incident or language, if we do not re-live its story as we read? ”

“ And the tendency of fiction is just at present away from the world of “elemental” excitement to more civil phases of life, a newer form of realism having succeeded alike the episode of naturalism and the antithetical episode of historical romance. ”

“ Why is it that the poems that have lived for centuries, and the masterpieces of the world's great painters and sculptors are not being equaled in the dawn of the twentieth century? The answer lies in the widespread devotion to realism instead of idealism. ”

“ And the voices get louder and louder, as the disputants proceed to pick the character to pieces, speech by speech, and action by action, till, nothing being left, each finally subsides somehow, each confirmed in his own opinion, each convinced that the main purpose of literature—Realism—has either been served, or not served, by the author under discussion. ”

“ Reject realism in art if you please, and accept realism in conduct. For the first time in my life I am comfortable: my mind, having worn out its walking-shoes, is now enjoying the luxury of slippers. Who can deny the realism of comfort? ”

“ In less than twenty years we have seen wonderful changes in public taste and in the efforts of writers to meet it or to create it. We saw the everlastingly revived conflict between realism and romanticism. ”

“ It seems to me that the question of realism and the question of the dramatic short story's assumed unity of substance are the two pitfalls into which the feet of the writer of fiction who reads the mass of comment on his art are most apt to stray. ”

“ She knew exactly how artistic effects were obtained, how and why certain things were done, why realism, so-called, could never be anything but caricature, and why over-elaboration of small matters can never be otherwise than disproportionate. ”

“ We are widening the esthetic canvas to admit of the test of life, and are coming to realize that, obsessed for a time by the attraction of that lower truth which makes so much of external realities, realism lost sight of the larger demands of art which include selection, adaptation, and that enlargement of effect marking the distinction between art and so-called reality. ”

“ And the true realism were that of the poets, to climb up after him like a squirrel, and catch some glimpse of the heaven for which he lives. And the true realism, always and everywhere, is that of the poets: to find out where joy resides, and give it voice beyond singing. ”

“ Romance, in its modern use, covers everything that is removed from reality: “I like romances,” we hear the modern reader say, “because they take me away from real life, which I desire to forget.” In the same way Realism is defined by its enemies as a photographic enumeration of unimportant facts by an observant pessimist. “I like realism,” admirers of a certain order of novel 108exclaim, “because it is so like life. ”

“ How crude and shallow is the whole theory of modern realism: a theory of art by the average man for the average man! It makes art intelligible by simplifying or popularizing it; in short, as Nietzsche would say, by vulgarizing it. The average man perceives, for instance, that there is in great drama an element of representation. ”

“ Every man who reads much has his fairy-tale period and his romantic period followed by a strong taste for realism, which in turn is followed by a new and finer appreciation of purely imaginative literature. ”

“ Art, breaking from the prison-house of realism, will run to greet him, and will kiss his false, beautiful lips, knowing that he alone is in possession of the great secret of all her manifestations, the secret that Truth is entirely and absolutely a matter of style ”

“ When the beauty of realism shall be truly known, we shall read the book, or look upon the work of art, and in the light of all we know of life, shall ask our beings whether the picture that the author or the painter creates for us is like the image that 114is born of the consciousness that moves our soul, and the experiences that have made us know. ”

“ The finer points in dramatic construction are equivalent—and just as necessary—as those of fiction narration. Dramatic construction and expression are modulated according to the nature of the theme. Realism, Romanticism and Idealism each has its methods of producing effects. We must guard against the vulgarity of ultra-realism and bear in mind that all idealism must be edifying and romanticism refined. Realism is materialistic and calls for gross details and convincing spectacle; Romanticism is luxuriant and revels in the vagaries of youth, the desire for love and the intoxication of adventure ”

“ Yet truth to the conditions of man's nature and the conditions of man's life, the truth of literary art, is free of the ages. It may be told us in a carpet comedy, in a novel of adventure, or a fairy tale. ”

“ Each is right in asserting the value of his own method, and wrong in denying 41 the value of the other’s. The minds of men have always moved in two directions, and always will; and as long as men shall write, we shall have, and ought to have, both inductive and deductive fiction.
Abuses of Realism. ”

“ But, throughout, the dramatist's purpose is not art. He is the apostle of realism, coarsened by a love of the horrible and unclean. The power of his realism is undeniable. His two protagonists are line for line portraits of the beings they are intended to represent. ”

“ Consequently the method of realism, which they soon began to apply to the life of the spirit, produced a literature that is mystic and symbolic in essential direction, but which finds its symbols in the life about it, a life in which there is a fusion of the romantic, enigmatic past and the industrial present to which the character inherited from the past is seeking to adjust itself. ”

“ Now it is a fact that I have never called myself a 'realist,' and I have never put forth any work as 'realism.' I decline the labels of the schoolmen and the sophisters: being a simple writer of tales, who takes whatever means lie to his hand to present life as he sees it; who insists on no process ”

“ This is realism; but it is the realism of texture, not of form and relation. It encourages our glance to be near-sighted instead of comprehensive. Above all, there is a misgiving that we do not touch the writer's true quality, and that these scenes of his, so elaborately and conscientiously prepared, have cost him much thought and pains, but not one throb of the heart or throe of the spirit. ”

“ Advantages of Realism.––In the first place, we notice, that, while the imagined facts of the romantic are selected merely to illustrate the truth he wishes to convey, the imagined facts of the realist are selected not only to illustrate, but also to support, the truth that lies inherent in them. ”

“ Having thus, I hope, appeased the realists, who are an exacting phalanx, difficult to satisfy, I feel that it is only right, just, and proper to rally for a moment the scampering hosts of the romanticists. It is deplorable that Realism should be so roused to bloodthirstiness by any intrusion upon the landscape of Romanticism’s dainty frocks and fluttering ribbons. Before [127] Realism was, Romance ruled in many kingdoms. If Romance had not been, Realism would not be. ”

“ We find as a result of such an insistence on the principle of realism that in many dramas, which hail from this time, the outcry of emotion, with all the exclamatory signs and hyphens which may render its nudity more visible, takes the place of a noble and dignified diction, rich in image and simile. ”

“ What is the prevailing characteristic of the new, as compared with the old? It appears to be a very insistent and rather discordant note of realism—the sort of realism which leaves nothing unphotographed. Romance and sentiment are swept aside: they might fog the negative. ”

“ An awakened realist, then, can readily see, if he chooses, that his Realism can get no coherent expression without becoming at once transformed into the very formulas of this our present and Third Conception of Being. ”

“ True, the realist uses his artist’s privilege of selecting those facts of life which seem best suited to picturing his characters in their natures, their persons, and their careers, for he knows that many irrelevant, confusing, and contradictory things happen in the everyday lives of everyday men. So in point of practice his realism is not so uncompromising as his theories sound when baldly stated. ”

“ We call the two aims realism and decoration for our convenience. In literature it is possible to trace a similar double aim, separate from but analogous to the duality in speech that we shall have to examine in a later chapter. There are books subservient to what we call reality, and books for which reality is no more than an excuse, books that follow nature, and books that cast nature into their own mould, and, delighting in no accidental harmonies, bend nature to the patterns that please them, and heighten or lower her colours for their private [Pg 94] purposes of beautiful creation. ”

“ But by a Classic Realism we will certainly understand that effort to obtain a form of expression which recognizes both the internal and the external reality of things, and is able to combine both in one ultimation like the soul and body that make the one man. ”

“ I want you to help me to get people to understand that realism is a method, and only methodic in its consequences; when the realist is an artist, that is, and supposing the idealist with whom you compare him to be anything but a farceur and a dilettante. ”

“ As itself a living whole, part acting upon part, each abstraction corrected by some counter-abstraction or perhaps by some inner self-opposition, as conscious too of its own conditions and limitations, as sophisticated and even humorous, both for all logical purposes and for all purposes of applicability in the life of society it is realism itself. ”