Robert Louis Stevenson

“ He would turn a corner, look for one-half or quarter minute, and then say, ‘This’ll do, lad.’ Down he sat, there and then, with whole artistic plan, scheme of colour, and the like, and begin by laying a foundation of powerful and seemingly incongruous colour on the block. He saw, not the scene, but the water-colour sketch. Every artist by sixty should so behold nature. Where does he learn that? In the studio, I swear. He goes to nature for facts, relations, values—material; as a man, before writing a historical novel, reads up memoirs. ”

“ I have been walking to-day by a colonnade of beeches along the brawling Allan. My character for sanity is quite gone, seeing that I cheered my lonely way with the following, in a triumphant chaunt: ‘Thank God for the grass, and the fir-trees, and the crows, and the sheep, and the sunshine, and the shadows of the fir-trees.’ I hold that he is a poor mean devil who can walk alone, in such a place and in such weather, and doesn’t set up his lungs and cry back to the birds and the river. ”

“ There was never a time in his life when Stevenson had to say with St. Augustine, ‘Behold! my childhood is dead, but I am alive.’ The child, as his Garden of Verses vividly attests, and as will be seen by abundant evidence in the course of the following pages, lived on always in him, not in memory only, but in real survival, with all its freshness of perception unimpaired, and none of its play instincts in the least degree extinguished or made ashamed. ”

“ The great Alps, a wonder in the starlight—the river, strong from the hills, and turbulent, and loudly audible at night—the country, a scented Frühlingsgarten of orchards and deep wood where the nightingales harbour—a sort of German flavour over all—and this love-drunken man, wandering on by sleeping village and silent town, pours out of his full heart, Einst, O Wunder, einst, etc. I wonder if I am wrong about this being the most beautiful and perfect thing in the world—the only marriage of really accordant words and music—both drunk with the same poignant, unutterable sentiment. ”

“ J. A. Symonds always called him Sprite; qualifying the name, however, by the epithets ‘most fantastic, but most human.’ To me the essential humanity was always the thing most apparent. In a fire well nourished of seasoned ship-timber, the flames glance fantastically and of many colours, but the glow at heart is ever deep and strong; it was at such a glow that the friends of Stevenson were accustomed to warm their hands, while they admired and were entertained by the shifting lights. ”

“ Yet, after all, I dare say, a short shrift and a nice green grave are about as desirable.
Poor devil! how I am wearying you! Cheer up. Two pages more, and my letter reaches its term, for I have no more paper. What delightful things inns and waiters and bagmen are! If we didn’t travel now and then, we should forget what the feeling of life is. The very cushion of a railway carriage—‘the things restorative to the touch.’ I can’t write, confound it! That’s because I am so tired with my walk. Believe me, ever your affectionate friend,
R. L. Stevenson. ”

“ It is not the old free-born bird that gets thus to freedom; but I know not what manacled and hide-bound spirit, incapable of pleasure, the clay of a man. Go south! Why, I saw more beauty with my eyes healthfully alert to see in two wet windy February afternoons in Scotland than I can see in my beautiful olive gardens and grey hills in a whole week in my low and lost estate, as the Shorter Catechism puts it somewhere. ”

“ It is now just the top of spring with us. The whole country is mad with green. To see the cherry-blossom bitten out upon the black firs, and the black firs bitten out of the blue sky, was a sight to set before a king. You may imagine what it was to a man who has been eighteen months in an hospital ward. The look of his face was a wine to me.
I shall send this off to-day to let you know of my new address—Swanston Cottage, Lothianburn, Edinburgh. Salute the faithful in my name. ”

“ I may seem to you ‘the impersonation of life,’ p. 138but my life is the impersonation of waiting, and that’s a poor creature. God help us all, and the deil be kind to the hindmost! Upon my word, we are a brave, cheery crew, we human beings, and my admiration increases daily—primarily for myself, but by a roundabout process for the whole crowd; for I dare say they have all their poor little secrets and anxieties. And here am I, for instance, writing to you as if you were in the seventh heaven, and yet I know you are in a sad anxiety yourself. ”

“ The debate, before his place in literature is settled, must rather turn on other points: as whether the genial essayist and egoist or the romantic inventor and narrator was the stronger in him—whether the Montaigne and Pepys elements prevailed in his literary composition or the Scott and Dumas elements—a question indeed which among those who care for him most has always been at issue. Or again, what degree of true inspiring and illuminating power belongs to the gospel, or gospels, airily encouraging or gravely didactic, which are set forth in the essays with so captivating a grace? ”

“ By day this garden fades into nothing, overpowered by its surroundings and the luminous distance; but at night and when the moon is out, that garden, the arbour, the flight of stairs that mount the artificial hillock, the plumed blue gum-trees that hang trembling, become the very skirts of Paradise. Angels I know frequent it; and it thrills all night with the flutes of silence. Damn that garden;—and by day it is gone.
Continue to testify boldly against realism. Down with Dagon, the fish god! All art swings down towards imitation, in these days, fatally. ”

“ In the meantime, among judicious readers on both sides of the Atlantic, Stevenson stands, I think it may safely be said, as a true master of English prose; unsurpassed for the union of lenity and lucidity with suggestive pregnancy and poetic animation; for harmony of cadence and the well-knit structure of sentences; and for the art of imparting to words the vital quality of things, and making them convey the precise—sometimes, let it be granted, the too curiously precise—expression of the very shade and colour of the thought, feeling, or vision in his mind. ”

“ I look to get yours soon. I am sorry to hear that the Custom House has proved fallible, like all other human houses and customs. Life consists of that sort of business, and I fear that there is a class of man, of which you offer no inapt type, doomed to a kind of mild, general disappointment through life. I do not believe that a man is the more unhappy for that. Disappointment, except with one’s self, is not a very capital affair; and the sham beatitude, ‘Blessed is he that expecteth little,’ one of the truest, and in a sense, the most Christlike things in literature. ”

“ Even myself, as I say, I would not have had changed in one iota this forenoon, in spite of all my idleness and Guthrie’s lost paper, which is ever present with me—a horrible phantom.
No one can be alone at home or in a quite new place. Memory and you must go hand in hand with (at least) decent weather if you wish to cook up a proper dish of solitude. It is in these little flights of mine that I get more pleasure than in anything else. Now, at present, I am supremely uneasy and restless—almost to the extent of pain ”

“ He was no sentimentalist, to pay himself with fine feelings whether for mean action or slack inaction. He had an insatiable zest for all experiences, not the pleasurable only, but including even the more harsh and biting—those that bring home to a man the pinch and sting of existence as it is realised by the disinherited of the world, and excluding only what he thought the prim, the conventional, the dead-alive, and the cut-and-dry. On occasion the experimentalist and man of adventure in him would enter into special partnership with the moralist and man of conscience ”

“ My romance, which has so nearly butchered me in the writing, not even finished; though so near, thank God, that a few days of tolerable strength will see the roof upon that structure. I have worked very hard at it, and so do not expect any great public favour. In moments of effort, one learns to do the easy things that people like. There is the golden maxim; thus one should strain and then play, strain again and play again. ”

“ And next time when the spring comes round, and everything is beginning once again, if you should happen to think that you might have had a child of your own, and that it was hard you should have spent so many years taking care of some one else’s prodigal, just you think this—you have been for a great deal in my life; you have made much that there is in me, just as surely as if you had conceived me; and there are sons who are more ungrateful to their own mothers than I am to you. ”

“ I don’t mean writers merely, but painters and all of us: nobody living can see with such an eye as that fellow, and nobody is such a master of his tools.’ Now in his letters, excepting a few written in youth, and having more or less the character of exercises, and a few in after years which were intended for the public eye, Stevenson the deliberate artist is scarcely forthcoming at all. He does not care a fig for order or logical sequence or congruity, or for striking a key of expression and keeping it, but becomes simply the most spontaneous and unstudied of human beings. ”

“ The weather, to look at the per contra sheet, continues vomitable; and Fanny is quite out of sorts. But, really, with such cause of gladness, I have not the heart to be dispirited by anything. My child’s verse book is finished, dedication and all, and out of my hands—you may tell Cummy; Silverado is done, too, and cast upon the waters; and this novel so near completion, it does look as if I should support myself without trouble in the future. If I have only health, I can, I thank God. It is dreadful to be a great, big man, and not be able to buy bread. ”

“ It is worth reading, as all things are from time to time that keep us nose to nose with fact; though I think such reading may be abused, and that a great deal of life is better spent in reading of a light and yet chivalrous strain. Thus, no Waverley novel approaches in power, blackness, bitterness, and moral elevation to the diary and Lockhart’s narrative of the end; and yet the Waverley novels are better reading for every day than the Life. You may take a tonic daily, but not phlebotomy. ”

“ I mind it above all on winter afternoons, late, when the window was blue and spotted with rare rain-drops, and, looking out, the cold evening was seen blue all over, with the lamps of Queen’s and Frederick’s Street dotting it with yellow, and flaring east-ward in the squalls. Heavens, how unhappy I have been in such circumstances—I, who have now positively forgotten the colour of unhappiness; who am full like a fed ox, and dull like a fresh turf, and have no more spiritual life, for good or evil, than a French bagman. ”

“ I cannot think him a man without women. But I can think of these three deep-breasted p. 91women, living out all their days on remote hilltops, seeing the white dawn and the purple even, and the world outspread before them for ever, and no more to them for ever than a sight of the eyes, a hearing of the ears, a far-away interest of the inflexible heart, not pausing, not pitying, but austere with a holy austerity, rigid with a calm and passionless rigidity; and I find them none the less women to the end. ”

“ I have never at command that press of spirits that are necessary to strike out a thing red-hot. Silverado is an example of stuff worried and pawed about, God knows how often, in poor health, and you can see for yourself the result: good pages, an imperfect fusion, a certain languor of the whole. Not, in short, art. I have told Roberts to send you a copy of the book when it appears, where there are some fair passages that will be new to you. My brief romance, Prince Otto—far my most difficult adventure up to now—is near an end. ”

“ I have written a breathless note on Realism for Henley; a fifth part of the subject, hurriedly touched, which will show you how my thoughts are driving. You are now at last beginning to think upon the problems of executive, plastic art, for you are now for the first time attacking them. Hitherto you have spoken and thought of two things—technique and the ars artium, or common background of all arts. Studio work is the real touch. That is the genial error of the present French teaching. Realism I regard as a mere question of method. ”

“ The painter must study more from nature than the man of words. But why? Because literature deals with men’s business and passions which, in the game of life, we are irresistibly obliged to study; but painting with relations of light, and colour, and significances, and form, which, from the immemorial habit of the race, we pass over with an unregardful eye. ”

“ In the dark walks, too, there are crowds of people whose faces you cannot see, and here and there a colossal white statue at the corner of an alley that gives the place a nice, artificial, eighteenth century sentiment. There was a good deal of summer lightning blinking overhead, and the black avenues and white statues leapt out every minute into short-lived distinctness. ”

“ Then to me morals, the conscience, the affections, and the passions are, I will own frankly and sweepingly, so infinitely more important than the other parts of life, that I conceive men rather triflers who become immersed in the latter; and I will always think the man who keeps his lip stiff, and makes ‘a happy fireside clime,’ and carries a pleasant face about to friends and neighbours, infinitely greater (in the abstract) than an atrabilious Shakespeare or a backbiting Kant or Darwin. ”

“ My place to which I now introduce you—it is yours—is like a London house, high and very narrow; upon the lungs I will not linger; the heart is large enough for a ballroom; the belly greedy and inefficient; the brain stocked with the most damnable explosives, like a dynamiter’s den. ”

“ I am much afraid I am going to make a real failure; the time is so short, and I am so out of the humour. Otherwise very calm and jolly: cold still impossible.
Thursday.—I feel happier about the Fables, and it is warmer a bit; but my body is most decrepit, and I can just manage to be cheery and tread down hypochondria under foot by work. I lead such a funny life, utterly without interest or pleasure outside of my work: nothing, indeed, but work all day long, except a short walk alone on the cold hills, and meals, and a couple of pipes with my father in the evening. ”

“ The offer is a fair one: I have not sold myself to the devil, for I could never find him. I am married, but so are you. I sometimes write verses, but so do you. Come! Hic quies! As for the commandments, I have broken them so small that they are the dust of my chambers; you walk upon them, triturate and toothless; and with the Golosh of Philosophy, they shall not bite your heel. True, the tenement is falling. Ay, friend, but yours also. Take a larger view; what is a year or two? dust in the balance! ’Tis done, behold you Cosmo Stevenson, and me R. L. Monkhouse; you at Hyères, I in London ”