Georges Eekhoud

Biographical details

Portrait of Georges Eekhoud Georges Eekhoud The New Carthage (1917)

So be it!" he thought. "It is just as well that we separate!"
He left the room. In the street a nervous gaiety took possession of him, in reaction. Was he not free, emancipated, his own master? No more college, no more control, no more guardians. And, especially, no more remorse, no more jealousy, even no more love. He believed her to be Madame Béjard now, detached her forever from Gina. He rejected his cousin as if he were throwing away a flower polluted by a slug.
"And to think that the Dobouziez' think that they are punishing me in throwing me upon my own resources!"
Source: Wikisource

Portrait of Georges Eekhoud Georges Eekhoud Escal Vigor (1909)

Come, Blandine, without rancour, this time the moment has come to part for ever."
What was it that she read so poignant, so critical in the Dykgrave's look.
"No, no, I will not," she cried. "I repeat my former promise. Thou wilt see, Henry, I will keep my word. Oh, do not tear me away all at once from thy presence and thy heart!"
"So be it," Kehlmark consented, "let us try again, but thou must agree with Guidon Govaertz. He is the being whom I cherish most in this world, he is as necessary to me as the air I breathe; only he has reconciled me to life.
Source: Wikisource

Portrait of Georges Eekhoud Georges Eekhoud The New Carthage (1917)

He was deeply moved, too, by the slight odor of manure, that April evening when a peasant walked about with his pail sprinkling his tardy soil with ladle-fulls. The contempt of this rustic for the tender, delicate spring, the phlegm of this large-breeched, tanned, tow-headed peasant busying himself with his inelegant, but useful job, the violent contrast between the substantial lout and the ambient archness of the season conquered Laurent Paridael there and then, and in the same minute, the view that he had been enjoying seemed insipid and sophisticated. He could but look at the young farmer.
Source: Wikisource

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