Georges Eekhoud

Georges Eekhoud

Summary

Portrait of Georges Eekhoud Georges Eekhoud,  The New Carthage (1917)

“ So be it!" he thought. "It is just as well that we separate!"
He left the room. In the street a nervous gaiety took possession of him, in reaction. Was he not free, emancipated, his own master? No more college, no more control, no more guardians. And, especially, no more remorse, no more jealousy, even no more love. He believed her to be Madame Béjard now, detached her forever from Gina. He rejected his cousin as if he were throwing away a flower polluted by a slug.
"And to think that the Dobouziez' think that they are punishing me in throwing me upon my own resources!"
”
Source: Wikisource

Portrait of Georges Eekhoud Georges Eekhoud,  The New Carthage (1917)

“ He was deeply moved, too, by the slight odor of manure, that April evening when a peasant walked about with his pail sprinkling his tardy soil with ladle-fulls. The contempt of this rustic for the tender, delicate spring, the phlegm of this large-breeched, tanned, tow-headed peasant busying himself with his inelegant, but useful job, the violent contrast between the substantial lout and the ambient archness of the season conquered Laurent Paridael there and then, and in the same minute, the view that he had been enjoying seemed insipid and sophisticated. He could but look at the young farmer. ”
Source: Wikisource

Portrait of Georges Eekhoud Georges Eekhoud,  The New Carthage (1917)

“ She was living only for her son, a baby a year old, who was the image of her, and for her father, the only rich person she still loved and believed in. Those little sirens, Angéle and Cora, continued to waste effort in trying to inculcate in Gina their own special philosophy: to take life as though it was a perpetual pleasure party, never to conjure up dreams or ideals, to attach one's self but moderately so that detachment would be easy, to profit by youth and the smile of opportunity, to close one's eyes to all sadness and pain. ”
Source: Wikisource

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