Summary

Portrait of Émile Zola Émile Zola The Fortune of the Rougons

Given age and experience, a violent passion of southern intensity would at last spring from this idyll. Every girl who hangs on a youth’s neck is already a woman, a woman unconsciously, whom a caress may awaken to conscious womanhood. When lovers kiss on the cheeks, it is because they are searching, feeling for one another’s lips. Lovers are made by a kiss. It was on that dark and cold December night, amid the bitter wailing of the tocsin, that Miette and Silvère exchanged one of those kisses that bring all the heart’s blood to the lips.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Fortune of the Rougons

He, who could never see any forsaken creature, a poor man, or a child, walking barefooted along the dusty roads, without a throb of pity, loved Miette because nobody else loved her, because she virtually led an outcast’s hard life. When he saw her smile he was deeply moved by the joy he brought her. Moreover, the child was a wildling, like himself, and they were of the same mind in hating all the gossips of the Faubourg. The dreams in which Silvère indulged in the daytime, while he plied his heavy hammer round the cartwheels in his master’s shop, were full of generous enthusiasm.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Fortune of the Rougons

The men of Plassans stood in the middle of this heroic battalion. Amid the grey hues of the blouses and jackets, and the bluish glitter of the weapons, the pelisse worn by Miette, who was holding the banner with both hands, looked like a large red splotch—a fresh and bleeding wound.
All at once perfect silence fell. Monsieur Peirotte’s pale face appeared at a window of the Hôtel de la Mule-Blanche. And he began to speak, gesticulating with his hands.
“Go in, close the shutters,” the insurgents furiously shouted; “you’ll get yourself killed.”
Source: Gutenberg

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