Émile Zola

Émile Zola

Summary

Portrait of Émile Zola Émile Zola Doctor Pascal

There was silence for a moment; then she said slowly:
“It is science, grandmother.”
“Science!” cried Félicité, trotting about again. “A fine thing, their science, that goes against all that is most sacred in the world! When they shall have demolished everything they will have advanced greatly! They kill respect, they kill the family, they kill the good God!”
“Oh! don’t say that, madame!” interrupted Martine, in a grieved voice, her narrow devoutness wounded. “Do not say that M. Pascal kills the good God!”
Source: Gutenberg

Portrait of Émile Zola Émile Zola Doctor Pascal

Then, Clotilde, who had been watching him in silence, at last said:
“There is, however, the joy of renunciation. To renounce, not to live; to keep one’s self for the spiritual, has not this always been the great happiness of the saints?”
“If they had not lived,” cried Pascal, “they could not now be saints. Let suffering come, and I will bless it, for it is perhaps the only great happiness!”
But he felt that she rebelled against this; that he was going to lose her again. At the bottom of our anxiety about the beyond is the secret fear and hatred of life.
Source: Gutenberg

Portrait of Émile Zola Émile Zola Doctor Pascal

Pascal shook his head.
“Oh, oh, strong, perhaps! only the heart is no longer here.”
This involuntary avowal made Clotilde start, and she looked from one to the other, as if, by the force of circumstances, she compared them with each other—Ramond, with his smiling and superb face—the face of the handsome physician adored by the women—his luxuriant black hair and beard, in all the splendor of his young manhood; and Pascal, with his white hair and his white beard. This fleece of snow, still so abundant, retained the tragic beauty of the six months of torture that he had just passed through.
Source: Gutenberg

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