Émile Zola

Émile Zola

Summary

Portrait of Émile Zola Émile Zola,  Work [Travail]

“ But, all at once, the whole horizon was illumined, a great pink glow lighted up the roofs of Beauclair, the promontory of the Bleuse Mountains, the entire stretch of country. It was the glow of liquid metal running from the furnace of La Crêcherie, and Luc had, at first, taken it for the dawn. But it was not dawn, it symbolised rather the setting of a planet—old Vulcan, tortured at his anvil, throwing forth his final flames. Work, hereafter, would no longer be aught than health and joy, to-morrow was coming fast. ”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  Work [Travail]

“ They were at that moment so keenly conscious of the bond that for ever united them like brother and sister, that they embraced and kissed each other on the cheeks, even as friends who fear nought of human folly or suffering, but are certain that they will only impart peacefulness and courage to one another. All the strength and tenderness with which the friendship of man and woman may be instinct bloomed in their smiles.
'If you only knew, my friend,' said Luc, 'how great my fears were when I realised that my competition would end by destroying the Abyss!
”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  Work [Travail]

“ Make room, Josine! And you, friend, whom we do not know, come, seat yourself between my wife and me, for we should like to honour in you all our unknown brothers of the other cities of the world.'
But Ragu, as if seized with holy horror, retreated yet farther away.
'No, no, I cannot.'
'Why not?' Luc gently asked. 'If you come from afar, if you are weary, you will here find helping and comforting hands. We ask you neither your name nor your past. Here all is forgiven; brotherliness reigns alone, in order that the happiness of all may produce the happiness of each.
”
Source: Gutenberg

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