Summary

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Paris…

It might have been thought that some great sower, hidden amidst the glory of the planet, was scattering handfuls of golden grain from one horizon to the other.
Pierre, at sight of it, put his fancy into words: “It is the sun sowing Paris with grain for a future harvest,” said he. “See how the expanse looks like ploughed land; the brownish houses are like soil turned up, and the streets are deep and straight like furrows.”
“Yes, yes, that’s true,” exclaimed Marie gaily. “The sun is sowing Paris with grain. See how it casts the seed of light and health right away to the distant suburbs!
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Paris…

This morning, in a frightful house, in the Rue des Saules, behind Montmartre, I beheld a sight which utterly upset me. You can have no idea what an abode of misery and suffering it was; its inmates without fire or bread, the men reduced to idleness because there is no work, the mothers having no more milk for their babes, the children barely clad, coughing and shivering. And among all these horrors I saw the worst, the most abominable of all, an old workman, laid on his back by age, dying of hunger, huddled on a heap of rags, in a nook which a dog would not even accept as kennel.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Paris…

He was going back into exile as into misery and grief which he had long known, like some Wandering Jew of Liberty, ever driven onward through the world.
When he took leave of the others at ten o’clock, in the little sleepy street just outside the house, tears suddenly dimmed his eyes. “Ah! I’m no longer a young man,” he said; “it’s all over this time. I shall never come back again. My bones will rest in some corner over yonder.” And yet, after he had affectionately embraced Pierre and Guillaume, he drew himself up like one who remained unconquered, and he raised a supreme cry of hope.
Source: Gutenberg

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