Summary

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy, Complete

“ For a moment Pierre fancied that the Palatine had vanished, for he could scarcely see the dark fringe of cypresses; it was as though the dust of its ruins concealed the hill. But the Quirinal was even more obscured; the royal palace seemed to have faded away in a fog, so paltry did it look with its low flat front, so vague in the distance that he no longer distinguished it; whereas above the trees on his left the dome of St. Peter’s had grown yet larger in the limpid gold of the sunshine, and appeared to occupy the whole sky and dominate the whole city! ”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy, Complete

“ Pierre, who came thither opposed to the principle of the “Prix de Rome,” that traditional, uniform education so dangerous for originality, was for a moment charmed by the warm peacefulness, the limpid solitude of the garden, and the sublime horizon where the wings of genius seemed to flutter. Ah! how delightful, to be only twenty and to live for three years amidst such infinite sweetness, encompassed by the finest works of man; to say to oneself that one is as yet too young to produce, and to reflect, and seek, and learn how to enjoy, suffer, and love! ”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy, Complete

“ It now seemed as if one and the same crop had sprung up on every side, imparting harmony to everything, and making the entire expanse one sole, boundless field, rich with the same fruitfulness. There was corn, corn everywhere, an infinity of corn, whose golden wave rolled from one end of the horizon to the other. Yes, the declining sun steeped all Paris in equal splendour, and it was truly the crop, the harvest, after the sowing!
“Look! just look,” repeated Marie, “there is not a nook without its sheaf; the humblest roofs are fruitful, and every blade is full-eared wherever one may look.
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Source: Gutenberg

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