Summary

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Rome…

For a moment Pierre fancied that the Palatine had vanished, for he could scarcely see the dark fringe of cypresses; it was as though the dust of its ruins concealed the hill. But the Quirinal was even more obscured; the royal palace seemed to have faded away in a fog, so paltry did it look with its low flat front, so vague in the distance that he no longer distinguished it; whereas above the trees on his left the dome of St. Peter’s had grown yet larger in the limpid gold of the sunshine, and appeared to occupy the whole sky and dominate the whole city!
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Rome…

Rome the Catholic and the Princely was dead, lying there like marble on that funeral bed. She had been unable to go to the humble, the suffering ones of the world, and had just expired amidst the impotent cry of her egotistical passion when it was too late either to love or to create. Never more would children be born of her, the old Roman house was henceforth empty, sterile, beyond possibility of awakening. Pierre whose soul mourned such a splendid dream, was so grieved at seeing her thus motionless and frigid, that he felt himself fainting.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Three Cities Trilogy: Rome…

Then, when the sun shall have absorbed all the pestilence of the old soil, we will rebuild the city ten times more beautiful and ten times larger than it has ever been. And what a city of truth and justice it will at last be, the Rome that has been announced and awaited for three thousand years, all in gold and all in marble, filling the Campagna from the sea to the Sabine and the Alban mountains, and so prosperous and so sensible that its twenty millions of inhabitants after regulating the law of labour will live with the unique joy of being.
Source: Gutenberg

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